Spedizione e custodie da trasporto per esposizioni

La tua grafica arriva nella sede nelle stesse condizioni in cui è partita, e una custodia rigida con ruote e stampa funge anche da bancone una volta che sei allo stand.

Parla con un esperto

Oltre 800 Prodotti disponibili

Oltre 50.000 Ordini

30+ Paesi

22+ Anni di esperienza

Spedizione e custodie da trasporto per esposizioni

800+ Prodotti disponibili

Oltre 50.000 Ordini

30+ Paesi

22+ Anni di esperienza

Cosa dicono i nostri clienti

4.9da oltre 7.200 recensioni

Il display è arrivato in anticipo e la qualità di stampa era eccezionale. Il nostro stand ha attirato una folla per tutti e tre i giorni.

Sarah K.Direttore Eventi, BluePeak

Il display è arrivato in anticipo rispetto alla data prevista e la qualità di stampa era eccezionale. Il nostro stand ha attirato una folla per tutti e tre i giorni.

Sarah K.Direttore Eventi, BluePeak

Abbiamo ordinato da diversi fornitori, ma nessuno si avvicina a questo livello di qualità e servizio. Riordineremo al 100%.

Marcus L.Fondatore, Trendline Co.

Il mockup di progettazione 2D gratuito ci ha conquistato subito. Abbiamo ricevuto esattamente ciò che avevamo visto nell'anteprima.

Priya M.Brand Manager, NovaTech

Frequently Asked Questions

How do flight cases actually protect printed graphics? +

Most graphic damage happens in transit rather than on the stand, and it comes from three things: crushing, abrasion and moisture. A rigid case takes the crush load on its shell instead of on your rolled fabric or panel, keeps grit and metal parts from rubbing the print, and keeps rain off at a loading bay. A soft bag stops none of that on its own, which is why anything expensive or hard to reprint belongs in a hard case with the bag reserved for frames and poles.

Can a flight case double as a counter on the stand? +

Yes, and on a small stand it is the difference between having a counter and losing a square metre to stored cases. Wheeled hard cases are built to a working height that suits a wrap-around printed graphic and a top panel, so the case you shipped in becomes a branded plinth or demo counter during show hours. It also means nothing has to be hidden behind a curtain at the back. If you plan to do this, order the wrap at the same time so the graphic is cut to the case you actually own.

Should I buy a case with wheels or without? +

Wheels win any time you are moving the case more than a few metres, which at most venues means a long walk from a car park or goods entrance to your stand. The L-Size Hard Case with Wheels handles that on its own; the Hard Case without Wheels is lighter, cheaper to store and fine when a trolley or a forklift is doing the moving anyway. If you exhibit with one or two people and no ground crew, buy wheels — the extra bulk costs you far less than the handling does.

What size case do I need for my display? +

Match the case to the kit rather than the other way round. Plastic Hard Carry Cases are sized for 3m kits and Oval Hard Carry Cases for 6m kits, with M-size and L-size wheeled cases covering mixed loads of frames, graphics and accessories. Measure the longest rigid item you own — usually a frame section or a foot — because that single dimension decides the case, not the total volume. Leave a little room for padding rather than filling the case to the lid.

Do couriers handle cases differently to cardboard boxes? +

Assume every consignment will be stacked, tipped and dragged regardless of the labels on it. A hard case with proper catches and corner protection survives that treatment; a taped box does not, and general pallet freight is rough on anything with a flat, unsupported face. Photograph the packed case before it leaves so you have a record of its condition, and label it with your stand number as well as the venue address so it reaches the right hall rather than a general store.

How should fabric graphics be packed inside a case? +

Rolled is safer than folded for anything you can roll, because a fold left under pressure for days sets a crease line that lighting will pick up. If a graphic has to be folded, fold it loosely along the seams and put it on top of the load, never at the bottom under frame sections. Keep printed faces against each other rather than against bare metal, and slip anything with a hard edge — feet, clamps, tools — into its own bag inside the case.

What else should live in the case besides the display? +

Build a permanent show kit and keep it in the case so it never gets forgotten: a multi-tool, cable ties, gaffer tape, spare clips or hooks for your frame, a microfibre cloth for fingerprints on the graphic, and a printed copy of your stand plan. Add a spare extension lead if there is room. The point is that the case leaves the office ready, rather than depending on somebody remembering a list the night before.

How do I get cases onto the stand at a venue? +

Check the exhibitor manual for the build-up schedule, the goods entrance and whether the hall operates a vehicle marshalling system — at venues such as Farnborough International you may be given a time slot for unloading rather than free access. Book any lifting or trolley assistance in advance if your load is heavy, and plan where empty cases go during show hours, since most halls require the aisles and your stand to be clear. Wheeled cases that become counters solve that problem outright.